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A Trip Down Market Street, 1906: W/ NEW FOOTAGE!!!

Mike Upchurch
11.8K subscribers
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315K views 9 years ago
This is the most complete version of the historic film, "A Trip Down Market Street," combining the best elements of prints from Prelinger Arichives and Library of Congress. (New footage found at 1:40, and 11:35) Background: This film was shot on April 14, 1906, just four days before the San Francisco earthquake and fire, to which the negative was nearly lost. It was produced by moving picture photographers the Miles brothers: Harry, Herbert, Earle and Joe. Harry J. Miles hand-cranked the Bell & Howell camera which was placed on the front of a cablecar during filming on Market Street from 8th, in front of the Miles Studios, to the Ferry building. A few days later the Miles brothers were en route to New York when they heard news of the earthquake. They sent the negative to NY, and returned to San Francisco to discover that their studios were destroyed. The origin of the film was an enigma for many decades, and it was long thought to have bee …...more
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A Trip Down Market Street, 1906: W/ NEW FOOTAGE!!!
4.3KLikes
315,987Views
2015Aug 12
This is the most complete version of the historic film, "A Trip Down Market Street," combining the best elements of prints from Prelinger Arichives and Library of Congress. (New footage found at 1:40, and 11:35) Background: This film was shot on April 14, 1906, just four days before the San Francisco earthquake and fire, to which the negative was nearly lost. It was produced by moving picture photographers the Miles brothers: Harry, Herbert, Earle and Joe. Harry J. Miles hand-cranked the Bell & Howell camera which was placed on the front of a cablecar during filming on Market Street from 8th, in front of the Miles Studios, to the Ferry building. A few days later the Miles brothers were en route to New York when they heard news of the earthquake. They sent the negative to NY, and returned to San Francisco to discover that their studios were destroyed. The origin of the film was an enigma for many decades, and it was long thought to have been shot in September of 1905, after being dated as such by the Library of Congress based on the state of construction of several buildings. However, in 2009 and 2010, film historian David Kiehn, co-founder of Niles Film Museum in Niles, California, dated the film to the spring of 1906 from automobile registrations and weather records. Kiehn eventually found promotional materials from the film's original release and dated the film to April 14th, 1906, and finally gave credit to the filmmakers, the Miles Brothers. Technical Aspects: Film: Sound mix: Silent Color: B&W Aspect Ratio; 1.33 : 1 Negative Format: 35 mm Printed Format: 35 mm Cinematographic Process: Spherical Camera: Hand-cranked Bell & Howell Video format: HDTV 1080I (1920 x 1080) Pixel Aspect: Square Editing Timebase 29.97 Compressor : H.264 Audio: 28 tracks, stereo. (without panning) Done in early 2014. Restoration: The Prelinger print was transferred from a new 35mm print made from a restored 35mm negative, taken from the 1906-era 35mm print. The original file was 110 gigabytes. This version does not appear to have any digital restoration, except minimal contrast and brightness adjustments. In 2015 footage from the Library of Congress version was added. Post Effects: This version of the film has been digitally stabilized to remove jitter. Resources: Sounddogs, Youtube, Horseless.com, Wikipedia, Archive.org, Streetcar.org, earlyamericalautomobiles.com, Prelinger Archives, Library of Congress. Music: "Crazy Rhythm" played by Brad Kaye. Accuracy: Automobile sounds are all either Ford Model T, or Model A, which came out later, but which have similarly designed engines, and sound quite close to the various cars shown in the film. The horns are slightly inaccurate as mostly bulb horns were used at the time, but were substituted by the far more recognizable electric "oogaa" horns, which came out a couple years later. The streetcar sounds are actual San Francisco streetcars. Doppler effect was used to align the sounds. Produced by: The Miles Brothers Photographed by: Harry J Miles Sound Design by: Mike Upchurch

Mike Upchurch

11.8K subscribers